microphone data resources

It’s no secret an engineer’s knowledge of his tools is a source of great power. Anytime I’m preparing for a recording session or live sound gig, the first thing I set upon once I determine the makeup of the ensemble and the equipment at my disposal is to determine how best to utilize the available microphones. One of the best tools any engineer has in this task are manufacturer specifications. However, almost all microphone manufacturer websites are laden with Flash applets that are difficult to navigate and which can make it impossible to find the correct information. Thankfully, websites exist that provide an interface far more convenient than most manufacturer websites, and provide data for almost every modern microphone in and out of production.

Microphone Data

Microphone Data – microphone-data.com

From Rycote, the makers of wonderful windshields, comes Microphone Data (free login required). They’ve compiled an extremely comprehensive database of microphone data which can be easily compared across manufactures and microphone styles. When it comes to planning for a gig, this is always my first stop.

“The Microphone Data website is the successor to the original Microphone Data Book – the truly comprehensive free online database & guide to microphones in professional use today. The Microphone Data site deals in facts, not opinions, with pictures, response curves and technical data from the manufacturers themselves for every currently listed microphone (and even a few that aren’t)”

from microphone-data.com

Recording Hacks

Recording Hacks – http://recordinghacks.com/microphones

Recording Hacks, the online magazine about recording gear and techniques, also maintains a wonderful database of current and out of production microphones. As well, they also maintain the official TapeOp Microphone Review Archive which is a fantastic source of microphone information.

Personally, I tend to “re-discover” these microphone data resources about once every six months, typically after becoming horribly frustrated that I can’t find the specifications I’m looking for, or after a futile attempt to compare specifications from different manufacturers. Whether you share my frustrations or you have reasons of your own, I hope that you’ll find value in these resources.

What’s your take on the currently available microphone resources? Do you swear by the Rycote database? Would never dream of using data that didn’t come right off the manufacturer’s server? Whatever your thoughts of experiences, let us know in the comments below!

Kyle P. Snyder

Kyle P. Snyder is an engineer, educator, and consultant skilled in audio recording and mixing, sound design for film and video, facility design and integration, and live event production. Snyder works remotely on projects of all sizes from his Ohio-based studio, White Coat Audio, LLC. He is also a faculty member within Ohio University’s School of Media Arts & Studies dedicated to the advancement of audio education for engineers at every stage of development where he routinely teaches courses in music production, critical listening, and sound design for film and video.